Hi Virtually Readers! I haven’t had any time to reread this week (although I WILL I swear) so today I’m doing something different: a guide to deciding what to reread. In the comments of several of our posts, people have said something like ‘I’d love to join in/reread, but I don’t know which book to choose’. I’ve always been a big rereader, so it surprises me that some bookworms aren’t (which is okay). This is a step by step checklist guide thingy to choosing a book to reread. Continue reading “‘Tis the Season of Rereading: How to choose what to reread (ft. a handy flowchart)”
In August 2016, I decided I wanted to reread this series and David Eddings Belgariad and write some kind of post/series on my blog about women is classic typical fantasy. I finished Brisingr. I finished Queen of Sorcery. I got to the prologue of Magicians Gambit. I got 100 pages into Inheritance. Then I stopped and the post didn’t get written, though I did have Thoughts. Now I want to do it again, but I’ve forgotten half the stuff. (though, shoutout, isn’t the summary at the start of each book THE BEST?) So. Maybe later. But I thought that the 32 hours of this audiobook with a 21 day library deadline would motivate me to finish and it did and I seriously enjoyed it. Eragon is definitely ‘classic fantasy’ in the sense that it is a European-ish culture, mediveal, and based around battles. I don’t think I’ve read this since it first came out in 2011, and I noticed different things now, obviously. So for today’s episode of ‘Tis the Season of Rereading, our seasonal rereading feature, I”m talking about Inheritance.
It’s getting to be the Christmas time of year, Virtually Readers, and that means one thing: ‘Tis the season of rereading! (Also, like trees and food and sometimes snow and presents and the birth or Jesus but mostly, rereading). It’s the first of December, so it’s time for our yearly super fun feature! Continue reading “’tis the season of rereading Alice Oseman”
Hi Virtually Readers! Welcome back to another Bookish Planet. Today’s guide features Europe. Yes, all of Europe. It might seem like a big place than you can’t generlise with a travel guide under a thousand words, but you’re wrong. If you’re an American, especially an American under the age of twenty, it’s very easy to see all the important bits of Europe AND find yourself within the space of, say, a single summer. This guide will introduce you to the Europe that Americans know. Also, shoutout to Marie @Drizzle and Hurricane Books, who is not only a lovely person but also inspired and gave me feedback on this post.
Featured in: Girl at Sea, Thirteen Little Blue Envelopes, Just One Day, The Girl’s Guide to Summer, Wanderlost, Heist Society, Anna and the French Kiss, The Statistical Probability of Love at First Sight, Love and Gelato.
Description: Europe is always sunny. This is because, if you’re a sensible YA character, you will only visit it in summer. You will only be able to travel to the places that people have heard of: Paris and Amsterdam are in, Darby and Abruzzo are out. You will be amazed at all the history, the people, the effective public transport, and of course the food. If you’re not eating gelato on every second page (if you’re in Italy) or croissants and baguettes (in France), or paella (in Spain), you’re probably not in Europe. There is no such thing as obscure region specialities, because people in the US won’t belive you if you ate something they haven’t heard of. And if you can’t see an iconic sight, like the Eiffel Tower or the bridges of Venice, then you are probably not doing a good enough job at being in romantic places; try harder. There will be iconic places everywhere; well, as long as you go where the rest of the tourists go. Occasionally you’ll feel obliged to eat at a small and slightly grimy café, just to prove that you went off the beaten path sometimes; but you’ll be much more comfortable in the places where you’re surrounded by other foreigners. The important parts of a country—the parts where you can find yourself AND fall in love—are not determined by the people that live there, but by your travel guide (like this one, and I’ll quickly list them for you: Sagrada Familia, Eiffel Tower, [sunny beach in South France with sunbathers], the Colosseum, Big Ben (if you count the UK as part of Europe, and you’re an American Anglophile, so you do), the temple to Athena whose name you can’t remember in Athens, the canals and bridges of Venice. Alternately, read any of the books listed above and you’ll find all the other important sights.). Oh, and you’re not really go into any of these countries because they don’t feature in any movies you’ve ever watched about Europe, so therefore must not exist: Estonia, Latvia, Lithuania, Belarus, Moldova, Kosovo. Basically the Balkans and the Baltic.)
People: Yeah, the people are a really appealing part of Europe. If you’re a young, you’re sure to meet people in two categories: 1, grumpy old people who suck at English, hate tourists, and make you feel like you’re seeing the real Europe; and 2, attractive and cool young people of whatever gender you find attractive who know local secrets (ooh, exciting), enjoy drinking because the drinking age in Europe is 18 or younger, and will somehow have enough money to accompany you on part of your travels. There are other people in Europe, but if you meet people who deviate from the national norm (Muslim Danes, Italian speaking Swiss, black Spanish), you’ll be in the minority, and again you might not really be in Europe, because as we know, all Europeans are white, except for the ones who are really really tanned. But, just be warned, you might fall in love with one of these Europeans, and the one you fall in love with will definitely speak English and there won’t be any issues with, say, your parents or their parents that will stop this romance from being the only one that will ever matter.
History: Ugh. History. Do I even need to cover this? You probably know it all already. The Germans caused WWII and are sorry, don’t worry, they’re cool now; they occupied France (was there something called the Maignot line that didn’t work?) and then there was Russia for a while, just all over everything, ugh, and Germany was split, and then some wall fell, how fun, and the Cold War happened and then at some point there were rich cities in Italy that paid Leonardo Da Vinci to make stuff. Oh, and there were Crusades, how fun right? And there were dark ages, oh my goodness, America never had Dark Ages because Christopher Columbus escaped from them and started America, good for him. There’s lots of history, you’re going to be soaking it in all day, you’re a total expert.
Where to Stay: You might have to stay in one or two youth hostels. Sorry about that! But it’s a great location to meet other young people who are having a fun time. Mostly though you have a lot of cash and not much explanation of where it comes from, so you get to stay in swanky hotel rooms in perfect locations with little to no supervision. And if you’re lucky you’ll get to be in a swanky bus or a boat that is somehow available to you. If you make friends with the locals* you can maybe stay with them and experience ‘authentic cuisine’, which will probably be a three course meal. There are places to stay everywhere in Europe as long as you only go where other tourists go.
*the English speaking, inexplicably good looking locals
Dangers: There might be some people who will try to rip you off. But you have a ridiculous amount of money for an eighteen year old without a job, so that shouldn’t trouble you. Otherwise, there are pickpockets, but, despite this being your first trip, you’re far too savvy a traveler to let them bother you.
So, was this painfully true? Do you think Europe is romanticized? Tell me in the comments!
Demographics are details about the people of a place. Population size, ethnic makeup, what jobs people have, poverty and literacy levels, all that. I find them fascinating, revealing, and important. I also find them shockingly absent from books, especially fantasy books. In this installment of Setting in Stone, the topic is, surprisingly enough, demographics, why they matter in stories, and how to write them. Continue reading “Setting in Stone 6: Demographics”
Welcome back, Virtually Readers, to Setting in Stone, the best discussion series ever probably. Some months ago, I read a fantasy book with four states explicitly named: a fantasy equivalent Russia, where the book was set, a fantasy equivalent France, Persia, and China. In terms of technology which the characters had, this was probably in the late eighteenth or early nineteenth century. Then, a character drank rum. Rum is made from sugar, and at the time (as far as I know) was grown in the Caribbean, by slaves. (and if you want to know more about this, read a Tom Standage book). I did not like said book, for a whole host of reasons (and if you want to know which book it is, go stalk my ‘meh’ shelf on goodreads), but one of the reasons was the author’s ignorance of detail. Continue reading “Setting in Stone 5: Devilish Details”
Hi Virtually Readers! Today, you are reading another episode of Setting in Stone, my discussion feature about how settings work. I started this whole thing with a post about the lack of variety of settings in YA novels, so today I’m going to find the flipside of that, and talk about how to find less common settings and how to support those books. Also, it’s hopefully going to be shorter than most of the posts in this series, but I make no promises. Continue reading “Setting in Stone 4: Finding other settings”
Hello, Virtually Readers! Your, that is, my, favourite discussion feature is back again. Setting in Stone is a series where I explore many assumptions inherent in settings in books, spurred by enthusiasm for this post. You can read all the Setting in Stone posts by clicking the ‘setting in stone’ tag at the bottom of this one. Today, I’m discussing how setting is researched. This information is derived from reading/listening to various authors talking about their research process plus common sense. I’m going to outline the different ways to research setting, and their advantages and disadvantages as I see it. Continue reading “Setting in Stone 3: Research Methods”
When you think of worldbuilding, you think of sci-fi, fantasy, and dystopia; what are known as ‘genre’ books. (though that definition is less useful in YA). Historical fiction also requires worldbuilding, but it’s usually reconstructed worldbuilding, compiled through research rather than invention (though there is some invention, obviously, and alternate history is another game altogether). But contemporary books also need worldbuilding. This is a very useful post by Jenn Marie Thorne, one of my FAVOURITE contemporary authors about how she does worldbuilding in contemporary books; and today’s Setting in Stone topic is my own take on that.
Setting in Stone is a Virtually Read original series where we (okay, mostly Shanti) talks about setting.
Good day, Virtually Readers! Today, I’m going to take you through how I use goodreads shelves. It’s a totally random post, but people were interested. Thank you for being interested, everyone! I do so like goodreads, though, especially when you can see how your reading tastes have changed. I have a very haphazard shelving process because I’ve developed it over the years, so this is basically like revealing the inner workings of my brain. Feel free to friend me on goodreads, by the way-my profile is set to private automatically, but say you came from the blog and I’ll accept your request.